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FINE ART Paintings - Works on Paper - Prints

Rembrandt Harmenszoon van Rijn

   
Item No. FA0006
   
Artist: Rembrandt Harmenszoon van Rijn (Dutch) 1606-1669
   
Title: The Presentation in the Temple: Oblong Print
   
Date of work: ca. 1640-1641
   
Medium: Etching.
   
Image size: 8-1/4" x 11-3/8" (213 cm x 290 cm) (H x W)
   
Signature: Unsigned.
   
Notes: Bartsch 49; BB. 40; Holl. 49; HD. 162. Third state. From the
  collection of W. Koller (Lugt 2632).
NOTE: The above is the correct cataloguing [ref. Rachel Davis]. The original labeling on the back: "H. 162; R. 49; Munz 210" is incorrect, but has not been changed.
   
Biography:

Rembrandt Harmenszoon van Rijn was born the son of a miller

 

near Leiden, Holland on July 15, 1606. His initial studies of Latin did not interest him and he left to study art. The first three years he studied under Jacob van Swanenburch, followed by studies under Pieter Lastman(Amsterdam) and Jacob Pinas (Haarlem). Having mastered the techniques, Rembrandt. returned to Leiden, where he was highly regarded as an artist, so much so that at the age of only twenty-two he took on his first pupils. In 1631, he settled in Amsterdam, where he married Saskia van Uylenburgh, cousin of a successful art dealer. This helped to advance his career, particularly among wealthy patrons Rembrandt died there in 1669. He painted right up to the end of his life, producing an estimated more than 600 paintings as well as a multitude of etchings. He was also the most prolific in creating his self-portraits (about 60). Interestingly, he included dogs in many of his works, because he liked them so much.

Although Rembrandt, a baroque artist, is considered one of the greatest painters in the history of western art, famous for his dramatic use of light and dark, he is recognized as the most accomplished etcher ever, unrivaled until well into the 19th century. His use of scribbling strokes to create unusually expressive lines, often achieving special effects by combining etching and drypoint needle, earned his international renown even during his lifetime. His style and technique had a profound impact on both his contemporaries and well as later artists.

   
Presentation: [As acquired] Framed by The Bonfoey Co., Cleveland, Ohio.
  Label: Only conservation framing techniques and archival quality, acid-free materials were used in the production of this piece. UV 5 Plexi.
   
Condition: Not examined out of frame. Torn and repaired along the whole of
 

the top (see A---B in photo), some other neat repairs. Narrow margins.

   
Provenance: 1. 2003: Purchased from private owner through Rachel Davis
Fine Arts, Cleveland, Ohio.

2. Collection of W. Koller (Lugt 2632).

   
Price: SOLD
   
Details: Close up
  Detail
  Restoration
  Left Detail
  Right Detail
  Framed View
   
  References: Multiple sources.

 

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